{"id":1341,"date":"2016-07-28T15:42:32","date_gmt":"2016-07-28T13:42:32","guid":{"rendered":"https:\/\/a3regypt.com\/?page_id=1341"},"modified":"2021-02-27T06:35:56","modified_gmt":"2021-02-27T04:35:56","slug":"researches","status":"publish","type":"page","link":"https:\/\/a3regypt.com\/?page_id=1341&lang=en","title":{"rendered":"Researches"},"content":{"rendered":"<p><strong><u>The Published Scientific Researches nationally &amp; internationally, &#8220;more than 60 researches, since 1988 till 2017:<\/u><\/strong><\/p>\n<table class=\"center\" style=\"height: 3172px;\" width=\"903\">\n<tbody>\n<tr>\n<td style=\"text-align: center;\" width=\"384\"><strong>Research Title<\/strong><\/td>\n<td style=\"text-align: center;\" width=\"168\"><strong>Publisher <\/strong><\/td>\n<td style=\"text-align: center;\" width=\"84\"><strong>Publishing Date<\/strong><\/td>\n<\/tr>\n<tr>\n<td width=\"384\">1. Colored glass using in artistic works, by modern styles, 5<sup>th<\/sup> volume, Academy of Scientific Research &amp; Technology, (in Russian).<\/td>\n<td style=\"text-align: center;\" width=\"168\">Soviet Union formerly, Uzbekistan, Tashkent<\/td>\n<td style=\"text-align: center;\" width=\"84\">1988<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">2. Create technological aesthetical styles for glass planes to be used in the interior architecture, Glass &amp; Ceramics Research Magazine, 8<sup>th<\/sup> volume (in Russian).<\/td>\n<td style=\"text-align: center;\" width=\"168\">Soviet Union formerly, Moscow<\/td>\n<td style=\"text-align: center;\" width=\"84\">1989<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">3. Produce the colored silicates glass &amp; using it as ceilings to reduce the light in the interior architecture, 11<sup>th<\/sup> volume in architecture &amp; construction materials research (in Russian).<\/td>\n<td style=\"text-align: center;\" width=\"168\">Soviet Union formerly, Tashkent<\/td>\n<td style=\"text-align: center;\" width=\"84\">1989<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">4. The possibility of obtain types of the colored plane glass for the artistic works in the low temperatures, 1<sup>st<\/sup> volume, Academy of Scientific Research &amp; Technology (in Russian).<\/td>\n<td style=\"text-align: center;\" width=\"168\">Soviet Union formerly, Uzbekistan, Tashkent<\/td>\n<td style=\"text-align: center;\" width=\"84\">1989<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">5. The transparent mosaic &amp; its using in plane artistic works &amp; its treating with the thermal means, 1<sup>st<\/sup> Design &amp; Technology Conference (in Russian).<\/td>\n<td style=\"text-align: center;\" width=\"168\">Soviet Union formerly, Tashkent<\/td>\n<td style=\"text-align: center;\" width=\"84\">1989<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">6. Produce &amp; manufacture the colored plane borosilicate glass with the Egyptian materials, &amp; using it in the chemically treated artistic products.<\/td>\n<td style=\"text-align: center;\" width=\"168\">Faculty of Applied Arts, Helwan University, Cairo<\/td>\n<td style=\"text-align: center;\" width=\"84\">1990<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">7. Using the Egyptian environmental materials to produce glass antiques in popular style.<\/td>\n<td style=\"text-align: center;\" width=\"168\">Ain Shams University, Cairo<\/td>\n<td style=\"text-align: center;\" width=\"84\">1990<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">8. Using the plane glass lost from the Egyptian factories to produce popular lighting units by using ignition.<\/td>\n<td style=\"text-align: center;\" width=\"168\">Ain Shams University, Cairo<\/td>\n<td style=\"text-align: center;\" width=\"84\">1990<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">9. The easthetical &amp; functional considerations to design drinking glass for children.<\/td>\n<td style=\"text-align: center;\" width=\"168\">Ain Shams University, Cairo<\/td>\n<td style=\"text-align: center;\" width=\"84\">1990<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">10. Treat some of the failure&#8217;s aspects in teaching the technology subject in the scientific faculties, in particular, Faculty of Applied Arts.<\/td>\n<td style=\"text-align: center;\" width=\"168\">Mansoura University<\/td>\n<td style=\"text-align: center;\" width=\"84\">1994<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">11. Recycle the glass waste to use them in some industrial &amp; artistic fields.<\/td>\n<td style=\"text-align: center;\" width=\"168\">Ain Shams University, Cairo<\/td>\n<td style=\"text-align: center;\" width=\"84\">1994<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">12. Using technology of glass art to design the modern mosques domes in Egypt.<\/td>\n<td style=\"text-align: center;\" width=\"168\">Alexandria<\/td>\n<td style=\"text-align: center;\" width=\"84\">1995<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">13. Using the effect of cobalt &amp; chrome on the manufactured glass locally to be used in the glass sculpture.<\/td>\n<td style=\"text-align: center;\" width=\"168\">Faculty of Applied Arts, Helwan University, Cairo<\/td>\n<td style=\"text-align: center;\" width=\"84\">1995<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">14. The climate changes &amp; their effect on gypsum glass works, the protection &amp; treatment way, 5<sup>th<\/sup> national conference, Institute of Environmental Study &amp; Research.<\/td>\n<td style=\"text-align: center;\" width=\"168\">Ain Shams University, Cairo<\/td>\n<td style=\"text-align: center;\" width=\"84\">1997<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">15. The effect of the Islamic decoration art on the European arts, &#8220;Renaissance, Orientalism, the modern artistic schools.&#8221;<\/td>\n<td style=\"text-align: center;\" width=\"168\">Center of Islamic Research &amp; Arts, Arsika, Damascus, Syria<\/td>\n<td style=\"text-align: center;\" width=\"84\">1997<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">16. Using the scientific methods to restore the artistic works in Islamic architecture through the application on Aly Pasha Mubarak library in Ministry of Education. Formerly, Princess Fayka Hanem Palace.<\/td>\n<td style=\"text-align: center;\" width=\"168\">Center of Islamic Research &amp; Arts, Arsika, Damascus, Syria<\/td>\n<td style=\"text-align: center;\" width=\"84\">1997<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">17. Colored glass art between originality &amp; contemporaneous in the Egyptian architecture, 1<sup>st<\/sup> conference of arts.<\/td>\n<td style=\"text-align: center;\" width=\"168\">Yarmuk University, Jordan Hashemite Kingdom<\/td>\n<td style=\"text-align: center;\" width=\"84\">1998<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">18. The scientific &amp; artistic styles of the accurate restoration, Arab Archeologists.<\/td>\n<td style=\"text-align: center;\" width=\"168\">Cairo<\/td>\n<td style=\"text-align: center;\" width=\"84\">1998<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">19. Towards new technological trend in conservation &amp; restoration, &#8220;styles of renewing Azhar between originality &amp; contemporaneous.&#8221;<\/td>\n<td style=\"text-align: center;\" width=\"168\">Mosques architecture&#8217;s symposium SKA<\/td>\n<td style=\"text-align: center;\" width=\"84\">1999<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">&nbsp;<\/td>\n<td style=\"text-align: center;\" width=\"168\">&nbsp;<\/td>\n<td style=\"text-align: center;\" width=\"84\">&nbsp;<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">20. Modern methods to restore the gypsum glass overtures, &#8220;applying on Al-Majaz Al-Katea dome in the Fatimid&#8217;s hall of Holy Azhar.<\/td>\n<td style=\"text-align: center;\" width=\"168\">Faculty of Applied Arts, Helwan University, Cairo<\/td>\n<td style=\"text-align: center;\" width=\"84\">1999<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">21. Relief on the glass &amp; its role to raise the value of glass &amp; manual products.<\/td>\n<td style=\"text-align: center;\" width=\"168\">Faculty of Applied Arts, Helwan University, Cairo<\/td>\n<td style=\"text-align: center;\" width=\"84\">1999<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">22. Design &amp; its effect on carpet &amp; rugs, a research offered by to the international symposium of traditional carpet &amp; rug in Islamic world.<\/td>\n<td style=\"text-align: center;\" width=\"168\">Center of Islamic Research &amp; Arts, Arsika, Tunisia<\/td>\n<td style=\"text-align: center;\" width=\"84\">1999<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">23. Using the modern methods to restore the gypsum glass overtures in Sayeda Zeinab mosque.<\/td>\n<td style=\"text-align: center;\" width=\"168\">Arab Archeologists, Cairo<\/td>\n<td style=\"text-align: center;\" width=\"84\">2000<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">24. Produce types of the colored glass with the Egyptian materials to be used in the interior &amp; exterior architecture (in English).<\/td>\n<td style=\"text-align: center;\" width=\"168\">Glass processing days, Finland<\/td>\n<td style=\"text-align: center;\" width=\"84\">2001<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">25. Design the contemporary glass in Egypt (in English).<\/td>\n<td style=\"text-align: center;\" width=\"168\">Glass processing days, Finland<\/td>\n<td style=\"text-align: center;\" width=\"84\">2001<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">26. The technological principals of the accurate restoration in Khedive Mohamed Tawfik in Sayeda Zeinab mosque.<\/td>\n<td style=\"text-align: center;\" width=\"168\">Arab Archeologists<\/td>\n<td style=\"text-align: center;\" width=\"84\">2001<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">27. The patrimonial methods &amp; modern techniques &amp; their effect on desert&#8217;s construction.<\/td>\n<td style=\"text-align: center;\" width=\"168\">International conference of desert construction, SKA<\/td>\n<td style=\"text-align: center;\" width=\"84\">2002<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">28. Restoring the gypsum glass in Prince Mohamed Aly museum in Manial.<\/td>\n<td style=\"text-align: center;\" width=\"168\">Arab Archeologists<\/td>\n<td style=\"text-align: center;\" width=\"84\">2002<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">29. Using the information network &amp; the possibilities of the modern science to produce the glass dyes with Egyptian materials, scientific research &amp; technological development symposium in Arab world.<\/td>\n<td style=\"text-align: center;\" width=\"168\">Sharjah, UAE<\/td>\n<td style=\"text-align: center;\" width=\"84\">2002<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">30. Using the scientific methods for the accurate restoration to be applied on the gypsum glass overtures &amp; ceilings in Kabghawia school, the mosque architecture&#8217;s symposium.<\/td>\n<td style=\"text-align: center;\" width=\"168\">Saudi Arabia<\/td>\n<td style=\"text-align: center;\" width=\"84\">2002<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">31. The effect of the Islamic Arabian arts on the contemporary western arts.<\/td>\n<td style=\"text-align: center;\" width=\"168\">Spain<\/td>\n<td style=\"text-align: center;\" width=\"84\">2003<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">32. The modern techniques in rehabilitate &amp; developing the patrimonial architecture.<\/td>\n<td style=\"text-align: center;\" width=\"168\">Interbuild 10<\/td>\n<td style=\"text-align: center;\" width=\"84\">2003<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">33. The patrimonial innovation &amp; its effect on the art&#8217;s globalization.<\/td>\n<td style=\"text-align: center;\" width=\"168\">Arab Archeologists<\/td>\n<td style=\"text-align: center;\" width=\"84\">2003<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">34. Study to treat, restore &amp; maintain the dome of Imam Hussein&#8217;s tomb in Cairo.<\/td>\n<td style=\"text-align: center;\" width=\"168\">Arab Archeologists<\/td>\n<td style=\"text-align: center;\" width=\"84\">2003<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">35. Ceilings &amp; glass dome technology &amp; its effect on the architecture.<\/td>\n<td style=\"text-align: center;\" width=\"168\">Interbuild 10<\/td>\n<td style=\"text-align: center;\" width=\"84\">2004<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">36. The artistic figure of the Arabic letters &amp; their effect on Paul Kelly&#8217;s artistic personality.<\/td>\n<td style=\"text-align: center;\" width=\"168\">Arab Archeologists<\/td>\n<td style=\"text-align: center;\" width=\"84\">2004<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">37. Treating the failure&#8217;s aspects in teaching the technology subject in the scientific faculties, the general conference of developing the high education in Arab League.<\/td>\n<td style=\"text-align: center;\" width=\"168\">Yemen, Eden University<\/td>\n<td style=\"text-align: center;\" width=\"84\">2004<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">38. Manufacturing the colored borosilicate glass with the Egyptian materials, conference of the glass treatment days.<\/td>\n<td style=\"text-align: center;\" width=\"168\">Timbre, Finland (in English)<\/td>\n<td style=\"text-align: center;\" width=\"84\">2005<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">39. The beautification of the architectural fa\u00e7ades with the modern techniques of the glass.<\/td>\n<td style=\"text-align: center;\" width=\"168\">Interbuild 12<\/td>\n<td style=\"text-align: center;\" width=\"84\">2005<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">40. Restore &amp; habilitate the dovetailed stained glass of Banque Misr, the head office.<\/td>\n<td style=\"text-align: center;\" width=\"168\">Arab Archeologists<\/td>\n<td style=\"text-align: center;\" width=\"84\">2005<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">41. Techniques of glass &amp; glassy tiles to design the Egyptian architectural fa\u00e7ades.<\/td>\n<td style=\"text-align: center;\" width=\"168\">China<\/td>\n<td style=\"text-align: center;\" width=\"84\">2006<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">42. The effect of information networks &amp; the modern science on designing the architectural glass fa\u00e7ades.<\/td>\n<td style=\"text-align: center;\" width=\"168\">Interbuild 13<\/td>\n<td style=\"text-align: center;\" width=\"84\">2006<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">43. Processing of the failure in the scientific performance of designing &amp; technology subject in Faculty of Applied Arts.<\/td>\n<td style=\"text-align: center;\" width=\"168\">Damascus<\/td>\n<td style=\"text-align: center;\" width=\"84\">2006<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">44. Handcrafts, the way of developing &amp; using them in the Arabian architecture that has touristic style.<\/td>\n<td style=\"text-align: center;\" width=\"168\">Saudi Arabia<\/td>\n<td style=\"text-align: center;\" width=\"84\">2006<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">45. Techniques of glass &amp; glassy tiles &amp; using them to design the Egyptian murals &amp; architectural fa\u00e7ades, the international glass conference.<\/td>\n<td style=\"text-align: center;\" width=\"168\">England<\/td>\n<td style=\"text-align: center;\" width=\"84\">2006<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">46. Glass paints technology &amp; using them to restore the glass ceilings &amp; overtures in Egypt.<\/td>\n<td style=\"text-align: center;\" width=\"168\">Finland<\/td>\n<td style=\"text-align: center;\" width=\"84\">2007<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">47. Post-modernization glass in Egypt, Glass processing days .<\/td>\n<td style=\"text-align: center;\" width=\"168\">Shanghai (China)<\/td>\n<td style=\"text-align: center;\" width=\"84\">2007<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">48. Techniques &amp; design of post-modernization architecture glass in Egypt.<\/td>\n<td style=\"text-align: center;\" width=\"168\">Interbuild<\/td>\n<td style=\"text-align: center;\" width=\"84\">2007<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">49. Recycle the glass waste &amp; using them to produce artistic antiques.<\/td>\n<td style=\"text-align: center;\" width=\"168\">France<\/td>\n<td style=\"text-align: center;\" width=\"84\">2007<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">50. Scientific &amp; technical trends for the accurate restoration in Sidi Ahmed El-Badawy&#8217;s tomb dome in Ahmadi mosque in Tanta.<\/td>\n<td style=\"text-align: center;\" width=\"168\">Arab Archeologist<\/td>\n<td style=\"text-align: center;\" width=\"84\">2007<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">51. Contemporary vision to restore &amp; formalize the dovetailed glass overtures with wood &amp; using them in Sayeda Sakina mosque.<\/td>\n<td style=\"text-align: center;\" width=\"168\">Arab Archeologist<\/td>\n<td style=\"text-align: center;\" width=\"84\">2007<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">52. Islamic arts &amp; their effect on the western &amp; contemporary arts.<\/td>\n<td style=\"text-align: center;\" width=\"168\">Islamic Universities Association<\/td>\n<td style=\"text-align: center;\" width=\"84\">2007<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">53. Glass &amp; oriels are tangible patrimonial significances for the related traditional crafts with the architectural heritage.<\/td>\n<td style=\"text-align: center;\" width=\"168\">Syria<\/td>\n<td style=\"text-align: center;\" width=\"84\">2007<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">54. Smart glass &amp; its effect on the Arabian architecture.<\/td>\n<td style=\"text-align: center;\" width=\"168\">Conference of faculty of Applied Arts<\/td>\n<td style=\"text-align: center;\" width=\"84\">2008<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">55. Using the cement&#8217;s dust to produce the colored glass &amp; to use it in Epoxy glass floors (in English).<\/td>\n<td style=\"text-align: center;\" width=\"168\">Slovakia<\/td>\n<td style=\"text-align: center;\" width=\"84\">2008<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">56. The mechanical systems of glass fa\u00e7ades in the smart architecture.<\/td>\n<td style=\"text-align: center;\" width=\"168\">England<\/td>\n<td style=\"text-align: center;\" width=\"84\">2008<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">57. The experiments of using the advanced construction systems to re-alive the popular symbols in the glass domes that have large space, SERES conference.<\/td>\n<td style=\"text-align: center;\" width=\"168\">Turkey<\/td>\n<td style=\"text-align: center;\" width=\"84\">2009<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">58. Artistic glass fa\u00e7ades technology, 10<sup>th<\/sup> conference &#8220;ESG&#8221;.<\/td>\n<td style=\"text-align: center;\" width=\"168\">Germany<\/td>\n<td style=\"text-align: center;\" width=\"84\">2010<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">59. Islamic art as a patrimonial innovation affected on the modern art, 2<sup>nd<\/sup> conference for Islamic architecture &amp; arts.<\/td>\n<td style=\"text-align: center;\" width=\"168\">Sana&#8217;a , Yemen<\/td>\n<td style=\"text-align: center;\" width=\"84\">2010<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">60. New techniques to design the architectural glassy tiles (in English).<\/td>\n<td style=\"text-align: center;\" width=\"168\">International conference for Architecture&#8217;s science &amp; technology IAHS, Spain<\/td>\n<td style=\"text-align: center;\" width=\"84\">2010<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">61. Contemporary vision to restore &amp; maintain the dovetailed glass overtures with wood &amp; using them in Sayeda Sakina mosque.<\/td>\n<td style=\"text-align: center;\" width=\"168\">Arab Archeologists, Libya<\/td>\n<td style=\"text-align: center;\" width=\"84\">2010<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">62. Scientific &amp; technical trends for the accurate restoration of Sidi Ahmed El-Badawy tomb&#8217;s dome.<\/td>\n<td style=\"text-align: center;\" width=\"168\">Arab Archeologists, Libya<\/td>\n<td style=\"text-align: center;\" width=\"84\">2010<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">63. Recycle the Egyptian flat glass waste &amp; using it to produce the glassy artistic tiles for fa\u00e7ades &amp; architectural floors.<\/td>\n<td style=\"text-align: center;\" width=\"168\">Australia PAC RIM 9 The 9<sup>th<\/sup> International meeting of pacific Rim ceramics societies<\/td>\n<td style=\"text-align: center;\" width=\"84\">2011<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">64. Produce types of the Egyptian glass suitable for the sculptural glass tiles in low temperatures.<\/td>\n<td style=\"text-align: center;\" width=\"168\">Turkey SERES 11<\/td>\n<td style=\"text-align: center;\" width=\"84\">2011<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">65. The advanced technological methods &amp; their effect on the glass architectural buildings<\/td>\n<td style=\"text-align: center;\" width=\"168\">Turkey IAHS World Congress on Housing Sciences, Istanbul, Turkey<\/td>\n<td style=\"text-align: center;\" width=\"84\">2012<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">66. Jerusalem&#8217;s architecture &amp; its position in the Islamic arts.<\/td>\n<td style=\"text-align: center;\" width=\"168\">The 14<sup>th<\/sup> conference of studies in Arab Nations monuments, Arab Archeologists &#8211; Morocco<\/td>\n<td style=\"text-align: center;\" width=\"84\">2012<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">67. Pottery &amp; china in Fustat area (in Old Egypt), how to develop it to returns with economic interest &amp; to participate in the touristic development in Egypt.<\/td>\n<td style=\"text-align: center;\" width=\"168\">Tehran international conference about the hand arts &amp; crafts, Iran<\/td>\n<td style=\"text-align: center;\" width=\"84\">2013<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">68. Jerusalem (architecture, history, Islamic civilization) must be maintained.<\/td>\n<td style=\"text-align: center;\" width=\"168\">Islamic Universities Association (Gaza)<\/td>\n<td style=\"text-align: center;\" width=\"84\">2013<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">69. The accurate restoration &amp; modern trends of development in the monumental schools &amp; mosques in Egypt.<\/td>\n<td style=\"text-align: center;\" width=\"168\">The 16<sup>th<\/sup> conference the issues of maintenance works &amp; the number for monuments, the patrimonial&nbsp; cities &amp; buildings, Arab Archeologists, Morocco<\/td>\n<td style=\"text-align: center;\" width=\"84\">2013<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">70. Studying of some of the botanic systems from the nature as a source of designing the Islamic architecture.<\/td>\n<td style=\"text-align: center;\" width=\"168\">The 4<sup>th<\/sup> international conference for Islamic Architecture &amp; arts (Algeria)<\/td>\n<td style=\"text-align: center;\" width=\"84\">2014<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">71. Consideration to teach the reactive glass architecture design in Egypt.<\/td>\n<td style=\"text-align: center;\" width=\"168\">Italy- ESG 2014<\/td>\n<td style=\"text-align: center;\" width=\"84\">2014<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">72. Produce types of the colored Egyptian glass for the sculptural glass tiles in low temperatures.<\/td>\n<td style=\"text-align: center;\" width=\"168\">Journal of Applied Arts &amp; Science<\/td>\n<td style=\"text-align: center;\" width=\"84\">2015<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">73. Consideration to teach the glass architecture design in Faculty of Applied Arts in Egypt.<\/td>\n<td style=\"text-align: center;\" width=\"168\">The 4<sup>th<\/sup> conference of the Faculty of Applied Arts, Damietta<\/td>\n<td style=\"text-align: center;\" width=\"84\">2015<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">74. Activate the techniques of relief o the glass in the architectural fa\u00e7ades in Egypt.<\/td>\n<td style=\"text-align: center;\" width=\"168\">ESG conference 2016, England, Sheffield University<\/td>\n<td style=\"text-align: center;\" width=\"84\">2016<\/td>\n<\/tr>\n<tr>\n<td width=\"384\">75. Color&#8217;s Philosophy &amp; Symbolism in the Applied Arts And its Effect on the Functional Value of the Religious Architecture<\/td>\n<td style=\"text-align: center;\" width=\"168\">The XIII Conferenza del Colore &#8211; Italy<\/td>\n<td style=\"text-align: center;\" width=\"84\">2017<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>The Published Scientific Researches nationally &amp; internationally, &#8220;more than 60 researches, since 1988 till 2017: Research Title Publisher Publishing Date 1. Colored glass using in artistic works, by modern styles, 5th volume, Academy of Scientific Research &amp; Technology, (in Russian). Soviet Union formerly, Uzbekistan, Tashkent 1988 2. Create technological aesthetical styles for glass planes to &hellip; <a href=\"https:\/\/a3regypt.com\/?page_id=1341&#038;lang=en\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Researches<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-1341","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/a3regypt.com\/index.php?rest_route=\/wp\/v2\/pages\/1341","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/a3regypt.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/a3regypt.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/a3regypt.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/a3regypt.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1341"}],"version-history":[{"count":12,"href":"https:\/\/a3regypt.com\/index.php?rest_route=\/wp\/v2\/pages\/1341\/revisions"}],"predecessor-version":[{"id":2385,"href":"https:\/\/a3regypt.com\/index.php?rest_route=\/wp\/v2\/pages\/1341\/revisions\/2385"}],"wp:attachment":[{"href":"https:\/\/a3regypt.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1341"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}